In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art - including the famous "Cunt Cheerleaders" - were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco's Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world. An engaging editor's introduction explains how feminist art emerged within the powerful women's movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art.

In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art - including the famous "Cunt Cheerleaders" - were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bodies of art in Fresno and other locales where similar collaborations flourished. Articles on topics such as African American artists in New York and Los Angeles, San Francisco's Las Mujeres Muralistas and Asian American Women Artists Association, and exhibitions in Taiwan and Italy showcase the artistic trajectories that destabilized traditional theories and practices and reshaped the art world. An engaging editor's introduction explains how feminist art emerged within the powerful women's movement that transformed America. Entering the Picture is an exciting collection about the provocative contributions of feminists to American art.

"Erudite, exhaustive, and engaging, Fields' wonderfully original study deftly navigates several current literatures: women's and gender history, the history of sexuality, cultural studies, and the burgeoning scholarship on consumer culture. Using fashion to gauge changing conceptualizations of femininity and the female body, Fields traces discursive production and the policing of boundaries without ever neglecting the material contexts of social and economic relations."--Regina Morantz-Sanchez, author of "Conduct Unbecoming a Woman: Medicine on Trial in Turn-of-the-Century Brooklyn"
"Theoretically sophisticated, methodologically innovative and just provocative, "An Intimate Affair" joins together the histories of production, consumption, representation, and fashion to claim the body as an arena upon which questions of pleasure and danger, power and authority, gender identities, racial purity and class access, became contested during the late nineteenth and first half of the twentieth century. After reading Fields, putting on or taking off lingerie will never again feel the same."--Eileen Boris, Hull Professor of Women's Studies, University of California, Santa Barbara
"This is a delightful book on a surprisingly important--and one can legitimately say--revealing topic. The archival work is impressive, the analysis solid; we gain greater knowledge of women in consumer society and of ongoing controversies about sexuality from the results."--Peter N. Stearns, Provost, George Mason University
""An Intimate Affair "is a major contribution to the histories of fashion and of women. Wide-ranging in scope, this book demonstrates conclusively the importance of clothing in historicalanalysis and pushes the boundaries of cultural studies theory about the body to encompass the most intimate body covering. Fields illustrates how cultural studies and women's studies theory, the investigation of material objects, and the history of laboring people and women can be brought together to produce a compelling narrative. Both academics and general readers will find this book fascinating, for it has major implications for how all of us regard our bodies."--Lois W. Banner, Professor of History and Gender Studies, University of Southern California, and author of "American Beauty"
"Jill Fields has produced a remarkable book that reveals the ways in which intimate apparel has shaped modern conceptions of glamour, femininity, beauty, and sexuality. She brilliantly traces the creation of lingerie from the workers who made it to the advertisers who glamorized it to the women who bought it."--Steven J. Ross, Professor of History, University of Southern California